Labels: annie solomon, annie's world, Castle, Durham County, FlashForward, Good Wife, Mentalist, new TV shows
Wednesday, September 30, 2009
Wednesday, September 23, 2009
Home Again Jiggity Jig
Heard from my agent that the book is a-okay and ready to send.
I'm moving on up...
Tuesday, September 22, 2009
Nothing To Do
Hubby is getting ready for business meeting. Son-in-law for his day of work. Daughter is writing and rewriting. I have nothing to do.
She offers a book, but I have a book. I have magazines, computer games, gameboy, sudoku, Morning Edition on the radio. But all that is nothing to do.
I have only a hard seed of an idea. A series. It rolls around in my head and sprouts only questions. Who? What? Why? There are no answers. The thing is greasy. I reach for it and it slips out of my grasp.
Labels: annie solomon, annie's world, romance writer, romantic suspense
Sunday, September 20, 2009
Meet Me in St. Louie, Lewie
In any case, that's where I am--in St. Louis with the newlyweds.
The football is on, though muted, and we are talking about people who throw their cigarette butts on the ground. Larry wants a bumper sticker. Here are some suggestions from the group:
Butts are not attractive
Butts are garbage, too.
Littering is punishable by death (and that means you, cigarette smokers)
We all decided the last one was too long for a bumper sticker.
More later from the exciting life here in the gateway to the Midwest.
Labels: annie solomon, annie's world, butts, littering, romance writer, romantic suspense, St. Louis
Saturday, September 19, 2009
New Year's Update
Friday, September 18, 2009
Friday Specials
Labels: annie solomon, annie's world, healthywriter, romance writer, romantic suspense, rosh hashana
Wednesday, September 16, 2009
Sin in Book Clubs
Labels: annie solomon, annie's world, book club, One Deadly Sin, romance writer, romantic suspense
Tuesday, September 15, 2009
Book Learning
Silva writes international thrillers with a continuing character, an on again-off again Israeli agent. Set in Europe, the book hops between countries--England, Switzerland, Italy, Spain. The story not only bobs between places but between plot points: chapters consist of many, many short scenes. Most are from the hero or antagonist point-of-view, but some are from the POV of more secondary characters.
The book didn't engulf me, although the hero has a haunted past that makes him interesting. But I didn't feel as though there was much at stake. Since the hero is a continuing character, no matter how badly he's beaten, you know he'll survive. And if he didn't, and his mission failed, the world wouldn't end. Injustice would prevail, but there is always the sequel...
Compounding the low-end stakes was the fact that main threat in the book--to a world-famous musician--never materializes into an actual attempt at killing her. In the end, the assassin decides not to do the deed after all, though he is in place and close enough to carry out his mission. I wonder if Silva found himself liking her too much to kill her off. Maybe she or the assassin will appear in another book?
But I liked the way he moved around the story, cutting scenes off, even sectioning off long scenes into shorter ones without changing POV. I've had several instances in my current wip where I wanted to do that but wasn't sure how. Now I know.
I'm two-thirds into the Mariah Stewart book. The book was hard to get into. Beyond the prologue, the writing appeared thinner than I like. But as I kept on I began to see the advantages of the style. It's mostly dialog with almost no interior monologue. This gives the book a super-fast pace. Again, the story isn't the most innovative or remarkable on the planet, but I suspect her fans don't care. Violence happens off-screen, the main characters are neither dark nor tortured, and the murders happen to strangers we don't really care about. All of which makes for a safe read. And I've met readers who don't want their mysteries to be too intense.
I've also met readers who don't like to read anything but dialog. I spoke at a book club a few weeks ago and one of the members reiterated this opinion. Stewart's book would be perfect for her.
As for me, it made me think about my own dialog to internal monologue ratio. Sometimes I write pages and pages of dialog and it feels wrong somehow. Too expository, and, well, icky. And by icky I mean, boring, cliched, unclever. But reading Stewart I see how it works.
I've got 2 more books to go after the Stewart book. I think the next will be by Laura Lippman. It was so intense my husband stopped reading it. It should be an interesting change from what I'm reading now. Wonder what I'll learn?
Labels: annie solomon, annie's world, Daniel Silva, Mariah Stewart, romance writer, romantic suspense
Monday, September 14, 2009
Heads Up
Labels: annie solomon, annie's world, romance writer, romantic suspense
Thursday, September 10, 2009
After the Ball is Over
It's a strange thing writing a book. Living with the story, the characters, the struggle of putting it all on paper--and then poof! It's done. It's...gone.
Move on. Snap out of it. Enjoy the freedom.
Bah. Humbug.
Can't live with it; can't live without it.
Labels: annie solomon, annie's world, romance writer, romantic suspense
Monday, September 7, 2009
Anyone Out There?
Two thoughts: Saw Julia and Julie today. Had such a good time. Sweet, warm movie. And I definitely can relate when Julie thinks no one is reading her blog.
Hmm...
Can't remember what the second thought was.
Addendum
After a little research, I discovered that Mustardseed is one of four fairies that Tatiana, the Fairy Queen, calls upon to wait on her new-found love--the clown Bottom, now changed by Puck into a man with the head of an ass. Throughout Bronte's book, Rochester attributes elf and fairy-like qualities to Jane, as though her magic alone can redeem him. The morning after she agrees to marry him, he continues the analogy, drunk on happiness and his belief that a life with Jane will bring him salvation.
The exact lines are "Is this my little elf? Is this my little mustard seed?"
Sunday, September 6, 2009
Sunday on the Mark with Jane
Labels: annie solomon, annie's world, bbc, jane eyre, romance writer, romantic suspense, timothy dalton
Thursday, September 3, 2009
Atonement
Once my SFD (see below) was complete I promised myself I would take a week off and read. Ironically, since I began writing full time, I have stopped reading novels altogether. So this was to be an experiment. Could I could pick up the habit again? And, as an added component, I thought I would dip my toes into the sea of literary fiction and find out what the supposedly better half was doing.
My first choice was Atonement by Ian McEwan. I picked it because I usually like books set in the past. My brother loved it. And so did a million other readers, including those from La La Land. I finished it yesterday. What an amazingly written, engrossing, horror of a book.
Warning: Spoiler Alert
A day later, I am still furious. How dare he call the book Atonement when there is none? How dare he trick his reader into thinking all will be well, when it won't? How dare he lead us all down the garden path of happy endings, then pull the proverbial rug out from under us? That book is exactly why I write romance.
Are the deaths of the lovers more realistic? Perhaps. But who needs realism? Just turn on CNN. Is the cowardice of the liar more true to life? Perhaps. But surely there are people out there who would face what they'd done and ask for forgiveness. Is the long, prosperous, and hypocritical (re: philanthropic) life of the perpetrators unusual? No. But, as McEwan says at the end, the writer is God. He can manipulate the truth any way he wishes. Why, then, did he choose to create such a heartfelt and ultimately cynical book?
Clearly, he is not a Buddhist. There is such thick, deep suffering in the book, but it is not redemptive. And he is not Christian. There is no hint of death being the portal to "a better place." And he is no Jew. Jews must face those they've wronged, actively seek forgiveness, and work to right whatever harm they've done. I don't know much about Islam, but I'd take bets he's not Muslim either. So what is McEwan?
A coward. That is his religion.
He's a coward for not being brave enough to give his tortured lovers an ending that overcomes or makes sense of their suffering--which he clearly wanted to do. A coward for not braving the sneers of his fellow "serious" writers, who would call an "emotionally satisfying ending" a trip down sentimental lane. A coward for the slick, dirty joke he pulls at the end.
And now I need to wash my mind out with the brave words of my own kind. At least we don't play games with our readers.
Labels: annie solomon, annie's world, Atonement, Ian McEwan, romance writer, romantic suspense
Tuesday, September 1, 2009
Yawn, Stretch, Open Eyes
Labels: annie solomon, annie's world, romance writer, romantic suspense